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Gallery: Paintings from France  2008 - 2000

Current Work  2008 - 2007

 

I am in my black and white realistic period . My last paintings have only used black and the grays leading to white with much less abstraction. I was calling these paintings Townscapes but, that just doesn't seem right any longer. For right now they are my "Current Work". They are designed to change character as you view them from different distances. Real or at least quasi real from a distance to total abstractions on closer inspection. That part has not changed. I still want both the almost real from a distance and then the gradual change to the realization that it is also total hard edged abstraction at closer distances. Light and the absence of light are major components in the success of these abstract paintings of ordinary reality. In my mental exploration of light and the absence of light made by natural and man made structures, it seemed logical to explore maximum contrasts with no color to influence the viewer's eye. Instead, I am using contrast as my primary visual composition tool.

Heatly,
13 May 2008

              

Spirit Shadows

 

Headlight

 

Passage of Light

 

Stair

 

Window on the Night

 

Vaison Red

Townscape Series   2007 - 2002

The Townscapes series, by incorporating the elements of time and movement, illustrates the beauty and charm of the ordinary street scenes of the hill towns and villages that surround my studio. These kinetic images give the viewer a sense of "place". They are designed to change character as you view them from different distances. Real or at least quasi real from a distance to total abstractions on closer inspection. 

 

31 Purple Haze

 

30 Street Jazz

 

22 Butterfly

 

20 Matador

 

18 Framing the Flowers 

 

12 Butterfly Lady

 

 

4 Rue de la Frater

 

1 One Red Awning

 

 
Five Series   2005

The articulated planes of the Townscape paintings are based upon compositions I developed as geometrical abstractions within a square.  I decided to do a better job of documenting the compositions for possible reuse in future paintings and this is the result. The conceptual base has six square planes cut out based on a geometrical ordering system and laid on top of one another. To visualize the composition I gave each plane a different color and a specific place in the stack. Working from the back to the front, they are black, blue, gray, yellow, white, and red. As I documented the ones I had already done, I began to see the possibilities of these compositions as paintings in their own right. This led me to consider transparency and rotation as additional elements to redefine the six original planes. I want each painting to be seen as a three dimensional kinetic description of a simple action. 

 

12 Pick

 

11 Meditate

 

10 Reach

 

9 Cross

 

8 Filter

 

7 Float

 

6 Sing

 

4 Juggle

 

3 Rake

 

 

2 Punch

 

1 Sting

 

 
Fall in Provence Series   2002

Provence is slowly changing as it moves into the 21st Century.  Traditional values still are present but the influx of more people and the development that comes with people are forcing a new geometry and pattern upon the land.  The Fall in Provence paintings are my interpretation of that change. Paintings are designed to be rotated.

 

8 Village Green

 

2 Cigales also Play Chess

 

 
Twilight Series   2002

This series is a deliberate study of limits. What magic can happen in the last transition between light and dark? They are designed to be rotated. The paintings have the same meaning irregardless of the orientation.

15 Temperate Zone

 

13 Retraction

 

12 Harvest Moon

 

11 Thor's Hammer

 

10 Jaws

 

9 Inferno

 

8 Keyhole

 

6 Gestalt

 

5 Solar Powered

 

4 Sun Diver

 

3 ERV Flight School

 

2 Life's Fly Loft

 

   

1 Thinking Man 

   
Summer Sun Series   2002

This series was done in the sun and with the sun in mind. "How bright can I make a painting before it overloads the senses and the result is visual chaos?"  These painting are my answers to my question.  I can get pretty bright.  Color theory is not just a phrase to throw around. Itten and Albers knew what they taught. Every now and then, all painters need to re-examine their roots and re-learn elements of design that are often taken for granted. They are designed to be rotated. The paintings have the same meaning irregardless of the orientation.

7 Watch Her Garden Grow

 

3 Portal to Future

 

2 Man Has Style

 

11 Next New World

 

9 Selection Point

 

8 Gateway

 

   

1 Swimming in the Sky River

 

   
Reflection Series   2002

The paintings of the Reflection series are just that, reflections on life, the things around me and my expectations for the future.  I deliberately kept my color palate small and created within the zone between two of the primary colors. Conceptual directions often come by setting specific limits and then abiding by them. I did not use contrast or complements to achieve my objectives and relied on more subtle ways to compose and move the eye.  They are designed to be rotated. The paintings have the same meaning irregardless of the orientation.

 

15 Tidal Surge

12 Sky Diver

 

10 Between

 

9 Tower of Babal

 

8 Race for the Yellow

 

7 I Remember My Journey

 

5 Light at the End of Rainbow

 

4 What is Behind the Green Door

 

   

3 Will Life Come from Sea Again

 

2 Not Children of My Earth

 

   
Earth (Terre) Series   2002 - 2001

Each painting had its origins and first gesture in the shapes and colors of the Eygues River valley in the Baronnies Mountains east of Nyons. As the layers built up, meaning and content evolved and the origin receded until the imagery and content was 100% meaning. They are designed to be rotated. The paintings have the same meaning irregardless of the orientation.

 

 

7 So Many Jobs So Few Hands

 

6 Do not Hurt Innocents

 

3 Paradise by Dashboard Light

 

 
Water (Eau) Series   2001

In the summer, our entire house opens up and we essentially move outside. The days are warm and the nights cool. We take advantage of it and eat, sleep, party and work outside. The Water (Eau) series, while continuing my dreams of alternate worlds, has it's beginnings in blind contour drawings of our swimming pool. They are designed to be rotated. The paintings have the same meaning irregardless of the orientation.

 

 

2 Step Into My Dream World

 

1 Skim Myriad Potentials of Blue

 

 
Nine Square Series   2001

The Nine Square series are paintings of my dreams of an alternate Earth where the real and tangible are thoughts, wishes, time, and dreams (what might have been and what can be). The square is the most challenging format of the rectangles to create dynamic and interesting compositions. By it's very nature, it is self centering and static. But, it is best suited to multiple orientations and  the challenge of geometry is worth overcoming to facilitate the ease of rotation for the collector. This series is designed to be displayed in any orientation.

 

 

Reality Live Filter Dream

 

House of the Lime Kiln
 

Capture Dreams Memories Be

 

Set Rubber Wish Reloading

 

Break Veil Speak Mouth

 

Lady Dreams Rose Valleys

 

Sex Ignition Arrival Ejection

 

Man Triangle Rain Ozone

 

Argument Moon Cigarette Sewing

 

Everybody Turn Plant Spear

 

Blood Eye Listen Bring

 

Gondola Godfather Backhoe Dog 

 

 Mermaid Bra Down Rabbit 

Raise Burn Lawnmower Hurdles

 

See Harley Clean Blow  

Window Series   2001

This series explores the visual potential of a painting that hovers on the edge of becoming six paintings instead of just one. The visual tension or implied movement when you place the painting right on the line that separates one from multiples results in more kinetic and exciting compositions or at least, strong architectonic forms. Most of my paintings deliberately use either high gloss and/or non gloss surfaces. This is especially true in this series which uses both to project the squares forward and the grid to the back

7

6

 

5

 

4

 

     
    3

 

 
Dream Window Series and Non Serial Paintings   2001

Dreams, particularly the day after, seem to be scenes from our imagination viewed from a great distance by a person almost like us. That filter becomes the window in my metaphor. Four dreams each viewed through the same window (frame and grid) became the basis for the Dream Window series.

They are designed to be rotated. This series is designed to be displayed in any orientation. Each orientation has a different portion of the four part title.

 

Snowbound in Provence 

 

1 Dream Window

 

Color in Provence

 

Four Major Religions

 

Union of Man and Earth

 

2 Dream Window

 

Mother Earth

 

Ablative Dissonance

 

     
  Balls     
Dream Series   2001 - 2000

The thread that bound this group of paintings together was their purpose. Seek and explore "THE" future direction. I was trying to identify the direction I wanted to concentrate my future upon. I explored alternatives within each direction until I felt I could see the potential of the idea. Then, IDEA, study alternatives, evaluate, IDEA, repeat again. I continued doing the Dream series until I felt that I had identified the most promising directions. I really feel like I found a lifetime's directions all worth exploring. I am still exploring some of the directions exposed in this series.

 

Four Nights in Provence

 

Jack's Unlucky Day

 

Smell the Coffee

 

Red Man Playing Piano

 

Exposing the Truth About Red Square

 

Father, Son, & the Holy Ghost

 

Life Line

 

Man with Bull Whip

 

The Cross We Bear

 

Between Heaven and Hell

 

The Red Lobster

 

You Are Part of the Composition

 

Did Abraham Lincoln Imagine This World?

 

Evolution of the Square

 

Of Men and Women

 

Red Light District

 

The Rooster and the Road

 

Burro with Heavy Load

 

Two Sides of the Same Coin

 

Penis Ring

 

Man With One Yellow Eye

 

Fall in Provence

 

Hang Gliding the Drome

 

Red Line Express

 

Shadow of the Moon

 

Tourist Visiting the Dentelles de Montmirar

 

Love on the Pyramids

 

Gorges du Verdon

 

       

A Brush for any Job

Thin Red Line Between Today and Tomorrow Music Lover

 

Sheep at Divide Between France and Italy

 

The Ouveze River Flood

 

So Many Memories

 

Forbidden Pleasures

 

Communication Across the Gorge of Time

 

The Blue Coast

 

All Alone in a Crowd

 

Valentine's Day Massacre

 

Trace Remains of the Romans

 

Ahab and Moby Dick

Visit to a Dentist

 

Man With Walking Stick and Train Ticket

 

Penetration

 

Oil and Water Do Not Mix

 

Hurry, Read Fast

 

Boy Fishing

 

Balancing Act

 

Follow the Leader

 

They Came From the Sky

 

Cyber Space

 

Elephant at a Water Hole

Scoring the Winning Goal

Push It Which Way

 

Man With Red Spit

 

My Heart Is an Open Book

 

Mistral Wind

 

Hiding Behind a Curtain

 

One Up and Almost Four Across

Needle in a Hay Stack

One of Nature's Best Feeling Shapes

 

I Am Walking Out the Door

Eye on the Source

Dig Your Way to Freedom

 

Birth Canal

Six Ducks All In a Line

Life In the Fast Lane

 

Is Three Always a Crowd?

 

The Highlight of Our Camping Trip

Woman of the Night

Birth Place of the Atomic Bomb

 

Follow Rudolph's Red Nose

Old Woman Looking at the Brave New World

Conception

 

Two Men Fighting

Wet Dream

 

The New American Football Helmet

 

The Loss of One Egg

 

 

Other Side of the Fence

 

Self Portrait of an Artist at Work

 

All Men Think About

Jazz

 UP


Contact: bobheatly@orange.fr, telephone: 04.75.27.77.68 from France or 33.4.75.27.77.68 from outside France or by mail: Bob Heatly, La Bonte, 26110 Condorcet, France.