This series
explores the visual potential of a painting that hovers on the edge of
becoming six paintings instead of just one. The visual tension or implied
movement when you place the painting right on the line that separates one
from multiples results in more kinetic and exciting compositions or at
least, strong architectonic forms. Most of my paintings deliberately use
either high gloss and/or non gloss surfaces. This is especially true in this
series which uses both to project the squares forward and the grid to the
back
Contact:
bobheatly@orange.fr,
telephone: 04.75.27.77.68 from France or
33.4.75.27.77.68 from outside France or by mail:
Bob Heatly, La Bonte, 26110 Condorcet, France.